Tuesday, November 28, 2006

Revert You to Papyrus


Tribulations
LCD Soundsystem
LCD Soundsystem
Capitol : 2005
[Listen] [Buy]


IZ-US
Aphex Twin
Come To Daddy [EP]
Warp : 1997
[Listen] [Buy]


Dimotane Co.
Squarepusher
Feed Me Weird Things
Rephlex : 1998
[Listen] [Buy]


The Private Psychedelic Reel
The Chemical Brothers
Dig Your Own Hole
Astralwerks : 1997
[Listen] [Buy]


If you were a Pledge commercial, you might call whatever I caught this past weekend an unexpected holiday guest. You forget what it's like to come down with something until a 24-hour bug (and its 48 hours' worth of residual pain) forces you to realize that you're much more than an exemplary human being - you're a damn attractive host.

To feel lived in - passed-through - is an experience afforded to the devoted listener and the ill-stricken alike. It's true: viewed under the microscope, music and viruses are not so different after all. Sometimes, a strain begins slowly, insignificant at the start of the season but gradually accumulating power as it jumps from soul to soul until you can barely turn on your television without becoming infected - walking around with a lab-engineered biological weapon of a pop song wreaking havoc until you can come up with a couple of antibodies. If they try that shit next year, your body will be ready. You've adapted - they'll have to follow suit.

This is what I listen to when it's time to drive the fever out. Take each in order - as many times as you like.

Maybe you've caught this year's supervirus? - "Tribulations" is waiting-room anxiety done disco. Hang in there!

"IZ-US" is life stirring about you while you sleep until you're full and go back for seconds. This is a necessary phase.

You have no idea, the paperwork you've got to file around here to spotlight a song from Feed Me Weird Things. The factory-grade percussion and steady BPM of "Dimotane Co." is my personal prescription for lazy circulation.

If you still can't fall asleep, try the full nine minutes of "The Private Psychedelic Reel" - I've been using it since middle school with no signs of long-term addiction. It's better than warm milk, and the title is perfect.

When you're ready, sync your heart to the drumline and take that triumphant first step out the door.
---


EtherbOx hits another home run. Tell him how good it was.

Monday, November 27, 2006

Monday swagger


Funk #49
James Gang
Rides Again
MCA : 1970
[Listen] [Buy]


Long Time
The Roots
Game Theory
Def Jam : 2006
[Listen] [Buy]


Wear Your Love Like Heaven
Donovan
Wear Your Love Like Heaven
Epic : 1967
[Listen] [Buy]


Special [feat. Thesis, prod. by 9th Wonder]
Strange Fruit Project
The Healing
Om Records : 2006
[Listen] [Buy]


Today, two flavours that have a lot more in common than you might think: hip-hop and classic rock. Each have a swagger to them that's undeniable, and their end result is aligned most of the time: get you off.
---


The James Gang, home to Joe Walsh's talents [I still don't like the guy through and through, although this LP, plus his original compositions for the Warriors movie, which I liked WAY before the video game was even planned, have gone a long way to woo me], take the fucking cake with this heavy-ass guitar track that oozes something fierce.

From that swooning guitar intro, with bent notes aplenty, he hits a fiery, simple funky riff that kicks you in the teeth. The vocals are cheeky, the drums are loud and aggressive, and there's nothing about this song that doesn't make you want to climb into a Camaro and start shooting guns into the Tennessee skies while pushing 85 mph. Fuck. So damn good.

From there, we shift into something darker, but still with a lot of sensuality and flair. This is one of the better Roots tracks for some time, in my opinion; something about its sound, almost larger than life. It opens up wide with that shifty guitar lick wedged between ?uestlove's astronomic metronomics and some moody strings. The rhymes are on point, it's silky smooth in terms of production and it adds another layer to their sterling work over the last decade. It definitely wouldn't be out of place in some over-the-top Michael Mann dark crime/sex/speedboats movie, if he has the Miami Vice bug again in the future.

The Donovan inclusion might be a little lame for some, but it's so dreamy, I couldn't say no. Some of you might recognize it from a Simpsons episode where Homer gets on the medical marijuana, some might not, so for those who don't, enjoy the clip below.

It has its own sexiness to it [yes, I'm trying desperately to loosely tie this in somehow], mainly stemming from that feeling you get when yr under the influence: blissful, and every sense is stimulated and magnified. The touch of fingertips against yr skin, the way the clouds shift above you, the sound of bacon crackling in a cast iron skillet. The higher you find yourself, the closer you get to undeniable joy.

Strange Fruit Project -- world, do you hear me? Don't sleep on this outfit. Give these Waco, TX fellers a listen, as you will almost certainly like it. This album is good, and of course I chose this track thanks to the appearance of 9th Wonder behind the boards, whose sampling choices are once again impeccable. It's soulful, it's sexy, their delivery is tight, and there is more than a passing comparison to Little Brother as a whole. Regardless, it's great, and expect to see more of them around these here parts.
---


So, we're through the worst day of the week. There's plenty more to come, those holiday lbs need to come off, so burn calories the best way - in bed with someone. Or someones. Or, download tunes from us and dance the weight into thin air. Work hard, people, work hard, and we'll be back tomorrow.


Also, correct me if I'm wrong, but will there be a Silent K sighting in the near future?


[PS. Theorist, if you remember emailing me a while back, please get in touch!]

Sunday, November 26, 2006

The water ain't safe no more



1,000 Deaths
Aesop Rock
Appleseed
1999
[Listen]

9-5 ers Anthem
Aesop Rock
Labor Days
Definitive Jux : 2001
[Listen] [Buy]

Big Bang
Aesop Rock
Float
Mush : 2000
[Listen] [Buy]

Attention Span feat. Vast Aire
Aesop Rock
Float
Mush : 2000
[Listen] [Buy]

Commencement at the Obedience Academy
Aesop Rock
Float
Mush:2000
[Listen] [Buy]

One Brick feat. Illogic
Aesop Rock
Labor Days
Definitive Jux : 2001
[Listen] [Buy]

Water
Aesop Rock
Euphony
Centrifugal Phorce Records : 2001
[Listen] [Buy]


Must not sleep, must warn others.

I’m not going to pretend I know jack when it comes to hip-hip, because I don’t. In my unfamiliarity, I’ve latched onto any sounds that catch my ear, which is why Busta Rhymes and Method Man have found homes in my library.

My introduction to Aesop Rock came via lan-party, where media is swapped like body fluids at an orgy. And in keeping with that analogy, it was years later when I discovered I’d caught a case of the Aesop.

Looking for something new to listen to, I burned all I had onto a CD and listened on my drive to work. What a trip that was.

First, dude is abstract and imagistic at the same time, and so fast that I can’t keep up without looking up a lyrics sheet and dissecting the verse.

Second, dude has lines that snap like a whip:

I'll take my senior top of the Brooklyn Bridge with a Coke and a bag of chips / To watch a thousand lemmings plummet just because the first one slipped.


Uh-oh!

Third, I love the production. Attention Span is my favorite. Even though I’m not a huge fan of Vast Aire’s appearance here, nothing kicks ass more than this track with the volume way up. It’s been getting me through the day, every day for a month now.

That's it for now kids. I’d love to stay, but there’s Wii to play, bills to pay, family to visit, and all that happiness. And besides, I’ll be back soon.

Give it up for etherbOx, who’s joined the ranks to bring you quality with quantity, unerringly and often.

Friday, November 24, 2006

Stop/Think/Sleep


Image: "This is My War" (by Ami)


Right Now [feat. Black Thought of The Roots and Styles of Beyond]
Fort Minor
The Rising Tied
Machine Shop Recordings : 2005
[Listen] [Buy]


Coming Home
2 Skinnee J's
Volumizer
Volcano : 2002
[Listen] [Buy]


Sleep Together
Garbage
Version 2.0
Almo Sounds : 1999
[Listen] [Buy]


Afterglow
Garbage
I Think I'm Paranoid [Pt. I] [12" Single]
MCA Import : 1998
[Listen] [Buy]


Backseat
Cibo Matto
Stereotype A [Japanese Import]
Wea International : 2000
[Listen] [Buy]


Day-after-Thanksgivings are best spent doing almost nothing at all - correspondingly, you won't read much outta me today. But take these tracks: free-range, low BPM numbers designed to send your brain sleepwalking while your body recovers from whatever the fuck you did to it yesterday.

Call fives, grab the stereo remote and let the holiday fog creep in around your brain as you while the day away. We'll work on getting The Roy's cran-apple compote out of the family tablecloth in the meantime.
---


Happy Thanksgiving from all of us here at FmGT.
---


- Another 'un from EtherbOx.

Wednesday, November 22, 2006

Block / Trade Secrets of a Different Kind


Strange Form of Life
Bonnie "Prince" Billy
The Letting Go
Drag City : 2006
[Listen] [Buy]


The Eraser
Thom Yorke
The Eraser
XL Recordings : 2006
[Listen] [Buy]


New Madrid
Uncle Tupelo
Anodyne
Rhino/WEA : 2003
[Listen] [Buy]


Who Knows
Marion Black
[Listen]


Everywhere You Turn
The Bad Plus
These Are the Vistas
Sony : 2003
[Listen] [Buy]


What do you do when yr creative process reaches an impasse? I am landlocked, stuck against a concrete wall of bad sentences and questionable syntax. The phrases haven't been rolling off the tongue lately, and the prose has suffered. Awkward paragraphs, poor word choice, difficult similes, unfinished metaphors.

It's tough. My manuscript was progressing nicely, albeit in an unpredictable fashion, but this molasses-like rut is grating. How does it end? How does that moment of agony correct itself? Where is my epiphany?


Normally, I endure a war of attrition against the blank piece of paper that fills my desk. Long, drawn-out, whisky-soaked cursing sessions, dimly backlit by my paper lamps, stuck with silence for company and no end in sight. There were moments back in college, up against deadlines for those advanced workshops I practically lived in senior year, when the clock would taunt me as the evening became night and became day before my eyes had blinked themselves. One story suffered through endless tussles over a word or two, a sentence that never made sense lodged between many good ones. It was the nail that caught my peers' attention, and those long discussions still rage on in my mind.

I am a visceral writer. This is not to be read to mean that my writing itself is "visceral" [although that wouldn't be a bad thing, if it is true], but that I write from the crudest possible place: within myself. The emotion is raw, at least that which allows me to slowly grind into motion, and my characters are affected by my own misgivings and feeling as I write. The most effective way I can reach that point, that edge whereby I can react and create is through music. After some time of staring at equally blank pages before I went to college, I would break the tension with my stereo.

I know I've said it before, but music should touch you on that deepest level, at least if you are alive to the possibility. The two go hand in hand, as do most creative arts; the end product is a direct reflection of the person or persons who created it, and it should provide an insight as to who the artist was at that precise moment in time. It captures something about them, whether it be a passing emotional phase or some deep-rooted sentiment. It illustrates the time, the place, the instrumentation, the sensibilities, the risks, the vulnerability or strength, and from that we get sufficient context to really listen or absorb.

So, I present a small list of songs that allow me to reach that region where I feel so much that I can create. [I will demonstrate how in a later post, so hold this thought.] These are songs I wish I had found at different points in life, especially when those midnight seconds ticked away with much left to be said, when the deadlines were tightest, and the tension equally so. When I write, the music puts me into that world, and I feel like I'm sitting beside my characters, watching them interact, as if it's a film and the soundtrack makes everything come together. These tracks feel cinematic, larger than themselves, bigger than the notes, beats, the materials they're printed on.

They feel like they belong in a film, and they belong in my headphones when inspiration strikes.
---

I think we'll be putting out on friday, and then there's always the sunday magic for those rare moments where football is not distracting me.

Enjoy the holiday season, enjoy who you're with, and hopefully you'll find inspiration too.
---

Oh, and one last note: I received an email a couple of months ago when I first starting really talking about this stuff from someone who went by the name of Theorist. I lost that email when my laptop got replaced [thanks to its 2nd motherboard meltdown in 3 months]... could you possibly get in touch again? Much appreciated.

Tuesday, November 21, 2006

We Never Subside


Kickapoo
Tenacious D
The Pick of Destiny
Sony : 2006
[Listen] [Buy]


Master Exploder
Tenacious D
The Pick of Destiny
Sony : 2006
[Listen] [Buy]


Beelzeboss [The Final Showdown]
Tenacious D
The Pick of Destiny
Sony : 2006
[Listen] [Buy]


Cosmic Shame
Tenacious D
The Complete Masterworks [DVD]
Sony : 2003
[Listen] [Buy]


Sasquatch
Tenacious D
The Complete Masterworks [DVD]
Sony : 2003
[Listen] [Buy]


With the Pick of Destiny out in theatres tomorrow night, I figured it was time to blow a few doors down here around the FmGT laboratories and celebrate a couple of tunes from the lighter side. Silent K's picking up the repairs - no worries.


Tenacious D are master rocksmiths for whom mere words are no fitting container. They're a comedy act backed by bracing musicianship - Kyle [KG; Kage] plays the complicated guitar parts, Jack Black [JB; Jables] handles the vocal stuff. They have - and continue to - double-handedly sustain tens of thousands of independent, microcosmic social networks on the strength of inside joke material that hasn't been refreshed for around five fucking years. They are worlds and galaxies away from "Ode to My Car". Whether you routinely fill in the harmonies on "Friendship" when your buddy's had one too many Bud Lights or you know Jack Black as that dude who got his hand blown off in The Jackal, you owe it to yourself to put aside your biases for a couple of minutes and soak up exactly what these guys are trying to do.


Today's first three cuts are off The D's latest album, which serves as the soundtrack to a film that most of us haven't seen yet - what I mean is that they're bound to pick up a little extra rocket sauce after we've all seen them given context and performed. Listen to them now, and much of their rock potency comes from the anticipation of seeing them sent-up on the silver screen; there's a real sense of Watch This Space and Coming Soon.


"Kickapoo" describes a young JB's struggle to escape his stifling Midwestern hometown and chase his ambitions of rock immortality - most notably, it references the epic D-vs.-Dragon struggle depicted in "Wonderboy" (Tenacious D, 2001) and has cameos by both Meatloaf and (fucking) Ronnie James Dio.


"Master Exploder" is a song about JB's vocal prowess and the band's unbelievable awesomeness. (A recurring theme.) The first time I heard that familiar falsetto rise up to claim its throne over the drum track at 1:06, something inside of me popped - keep a doctor's number handy before you get too deep into the track.


There's nothing so cool as Dave Grohl in a Satan costume. "Beelzeboss (The Final Showdown)" is another chapter in the D's ongoing quest to keep Satan safely at bay, but close enough to draw upon in desperate times of rocklessness. This is where the two put the bad guy away. Grohl provides drums and vocals on the track - it's easily the best on the album, and if you walk away from today with nothing else, you can at least promise to help "gargle mayonnaise" work its way into the popular vernacular. Can't you?


The last two tracks - "Cosmic Shame" and "Sasquatch" - are from the episodes and probably need a little more context to completely appreciate; I won't even begin to try to explain them here. The mp3s you're seeing up here were ripped from the DVD by Y.T. in an effort to get all of their material onto my iPod and yours - go and pick up The Complete Masterworks to experience them like you should. It may very well be the best fifteen bucks you'll ever spend.


Do your homework and catch the film tomorrow. Regular music programming resumes then.


---
Another smashing post from etherbOx.

Sunday, November 19, 2006

Pure & Gentle Flavor


Dirty Larry (Remix)
Ricci Rucker
Dirty Soap (12")
Epitome of Fresh : 2003
[Listen] [Buy]


Simply Eternal Now
Ricci Rucker & Mike Boo
Scetchbook
Epitome of Fresh : 2002
[Listen] [Buy]


Goodbye
Glue
Seconds Away
Ramona : 2003
[Listen] [Buy]


Catch As Catch Can
Glue
Catch As Catch Can
Fatbeats : 2006
[Listen] [Buy]


The Beautiful People
Apathy
Baptism By Fire
www.myspace.com/apathy
[Listen]


Getting good at anything worth doing requires a kind of necessary tunnel vision - a willful ignorance, a nudge of the wide-band equalizer that regulates the thick and thin of what your brain catches on the intake.This happens especially when you're learning to make music. You spend a couple of months fumbling over a secondhand drum kit and put your favorite record on to find its melodies gone, lasered right off the aluminum - but the beat stronger than it's ever been.


Several years of mashing-around in ACID Pro have altered my listening technique to the point where I can't help but hear in terms of samples, think in terms of breakbeat ROI. To me, this is unalienable truth: certain passages of music are better off triggered from a two-octave controller.


Here are a few good reasons to practice recycling:


Ricci Rucker is known well-enough to the Hip-Hop heads out there, but is otherwise a difficult man to track down. Most of his work gets self-released on vinyl and is out of print by the time he's mail-ordered his closet clean. Here are some keywords, separated by commas: dark, glitchy, imperialist, sharp, innovative, dope. "Dirty Larry" is just plain fucking cool. Listen to it, and then catch the following experimental animation project, which puts a few of his Ricci's tunes to great use:

Scetchbook is a modern-day Endtroducing..., no joke. If you're curious to see what the Ruckazoid and a few collaborators (Mike Boo, D-Styles) can do with a live drummer behind them, check this out:


Glue is Hip-Hop mouthwash, a refreshing break from the cut-out gangster silhouettes that drive JT so thoroughly up the wall. They're one-third New Hampshire (Adeem, the group's lyricist) but sound nothing like the part; they cut tracks with a kineticism that's tough to resist. DJ DQ's style is undeniably classic - but it's practiced enough that you won't even mind.


Believe it or not, I ran across this next track by way of a kid I used to run around with in World of Warcraft - he penned the first couple of verses for his friend, Apathy, a battler who's evidently got better things to do than kill dragons until something shiny drops. The sampling here is brilliant - the verse and hook are built off of Marilyn Manson's hit of the same name - to say nothing of the flow and delivery, which stick effortlessly to the theme throughout. Written and spit by two guys from Connecticut, if you can believe it.


As the kids say: don't sleep.


---
Another instant classic from the man, EtherbOx. Stay tuned for more from this cat; he's the newest member of the FmGT Lab. The labcoat fits perfectly.

Friday, November 17, 2006

If you were mine, I doubt we'd stay home and watch TV


Get Down with the Feeling
The Dazz Band
Kinsman Dazz
??? : 1978
[Listen]


Voodounon
The Lafayette Afro-Rock Band
Soul Makossa
??? : 1973
[Listen] [Buy]


Chocolate Buttermilk
Kool and the Gang
Kool and the Gang
De-lite : 1969
[Listen]


Can't You Just Feel It?
Lonnie Smith
Finger Lickin' Good Soul Organ
Columbia : 1967
[Listen]


Sexy Popcorn Pot
Breakestra
Sexy Popcorn Pot 12"
Stones Throw : 2001
[Listen] [Buy]


Waiting for Your Touch
Spanky Wilson & The Quantic Soul Orchestra
I'm Thankful
Tru Thoughts : 2006
[Listen] [Buy]


It's the end of the week, and the first thing you want to do is probably let down yr hair, undo that top button of yr shirt, untuck, loosen the tie and hit the bar. In order to do that, consider a sizable wedge of funk to get you in the mood. We all know you've earned it. So get what's yours, and enjoy yourselves.


In FmGT news, we have a new full-time contributor, the righteous etherbOx. We're still trying to figure out how to get across to Blogger Beta [which apparently is all the rage now, and they're phasing out the old style?], which is stopping him from fully donning the labcoat. So, his next few posts might well appear under my name [or someone else's], but he's a full member of the team. He's got the test tube set and enough magnesium to make pretty colours for months. So, welcome him in true fashion. He's up on sunday, with a set to make yr mouth water.


In the meantime, grab yr partner by the hand and dance. They'll thank you for it.

Thursday, November 16, 2006

The Worst You Can Do Is Harm



Scent of Lime
The Long Winters
The Worst You Can Do Is Harm
Barsuk : 2002
[Listen] [Buy]

Blue Diamonds
The Long Winters
When I Pretend to Fall
Barsuk : 2003
[Listen] [Buy]

Cinnamon
The Long Winters
When I Pretend to Fall
Barsuk : 2003
[Listen] [Buy]

Copernicus
The Long Winters
The Worst You Can Do Is Harm
Barsuk : 2002
[Listen] [Buy]

Teaspoon
The Long Winters
Putting the Days to Bed
Barsuk : 2006
[Listen] [Buy]

Shapes
The Long Winters
When I Pretend to Fall
Barsuk : 2003
[Listen] [Buy]

Blanket Hog
The Long Winters
When I Pretend to Fall
Barsuk : 2003
[Listen] [Buy]

Honest
The Long Winters
Putting the Days to Bed
Barsuk : 2006
[Listen] [Buy]

Carparts
The Long Winters
The Worst You Can Do Is Harm
Barsuk : 2002
[Listen] [Buy]

Clothespins. Noodles. Pen caps. Yarn. My Beckpack was noted for its collection of oddities, and I could only hope as I rummaged through its pockets that somewhere in my travels I had stumbled upon some gum or Lifesavers, anything to bring a minty light to my sweltering stank garlic pit of a mouth.

See, her name was _____ _______, and I walked her out to her bus every day. She had squinty blue eyes, a big bracey smile, and curly blonde hair that bounced when she walked. She was short, kind of skinny, and if her face were a car, it would be a Geo Tracker. Or maybe an AMC Gremlin.

But none of this matters to the shy and timid sophomore, looking foreword to the end of each day when the hug he shares with his newfound companion carries him aloft to the heights rabid daydreamery. If she only knew what she could do to me with just one smile.

There would be no joy in Royville if a mint could not be found, for on this day his pizza lay consumed and garlic drowned.

There was no way I could greet her with my breath so crass. Especially not at the pre-hands holding stage, where a blackhead on your third grade class picture could spell disaster, let alone swampmouth. Broken Ruler. Candy bar. Compass. Finally, a pocket in the Beckpack revealed treasure: a travel tube of Colgate Toothpaste, at which point the following though process is likely to have occurred:

Oh wow! Nothing else cleans mouths like toothpaste! If it did, we’d be using it!

Hold on a second there chief. It’s not like you can brush right here in the middle of class.

No, but I can put a dab in my mouth and swish it around.

Yeah. Then what? Spit in the trash can?

Then I can just swallow it! Breath fresh, problem solved!

But you’re not supposed to swallow toothpaste, right? Doesn’t it say so right on the tube?

Wow. You’re right, I guess it does. Still, how poisonous could it be if you’re supposed to put it in your mouth? Three times a day?


Well, I mean. I don’t know…

And it’s not like I’m going to be eating the whole tube. It’s just one little dollop.

I guess you’re right.

Damn right I’m right.

Okay, let’s go for it.

On three.

One

Two

Who knew it would taste so good? We taste toothpaste every night and day (if we are good little children of the ADA), but I hadn’t realized the satisfaction I was denying myself, the rush that lay just beyond the edge of my tongue. And fresh my breath was as ____ and I walked to her bus, smiling, making small talk, and hugging before she boarded, leaving me to float numbly the long mile of sidewalks that led home.

Soon I found myself sitting with her on the band bus for away games, sharing shoulders, folded hands, awkward smiles. And for every meeting, another dollop of toothpaste to give the confidence I needed.

One day my lab partner caught me sneaking my daily refresher. “Isn’t it bad to eat toothpaste?” I eat it all the time, I said. “I’m pretty sure it tells you not to right on the tube.”

Damn, she’d caught me! To claim ignorance would make me look bumbling and hapless. I did the only thing I could do to save face: I ate the rest of the tube, right then and there. As I escorted my friend to her bus I beamed triumphant, my chest out and my head high with the knowledge that I had the freshest breath of ________ _______________ High School.

The next morning, at around 3 am, I woke up to a stabbing pain that felt like a muscle cramp happening with my internal organs. Reflexively I tired stretching, rolling around, and moaning, none of which helped. Eventually, sweating and tired, I woke my parents up and we took a trip to the ER, where they asked me:

Have you eaten anything out of the ordinary?

And struggling to remember the previous day, the best I could offer was “I had nachos at the football game…”. Because toothpaste was not a food per se, it did not occur to me as a possible answer to the question. A blue gown, an x-ray, and a shot in the ass later, I was sent home without any definitive answer to my mysterious condition. Luckily, the pain didn't came back.

What did this mean for _____ and I? Well, I realized in the next couple days that the toothpaste could have been the cause of my health troubles, but I was too embarrassed to tell anyone. And while this meant no more fresh breath for our meetings, it turned out to be of little consequence. I asked her out on Halloween, and she turned me down, keywords being “such a good friend”, “just got out of a relationship”, and “not ready”. She was ready enough for ____ _______, the bench warming senior she started dating that weekend. But hey, that’s part of learning and growing up.

Some lessons come hard. Like why you shouldn’t eat toothpaste. Apparently, as explained by my high school chemistry teacher, the fluoride ions in the toothpaste end up being absorbed by the blood, where they bond with calcium and form a precipitate, which is filtered by the kidneys, and can form kidney stones.
Now you might be asking at this point, if you’re still reading, what in the name of mooky-foo does this have to do with The Long Winters?

Well, every other year or so when I find myself staring at the ceiling, body melting in relief as morphine muffles the kidney stone siren signals shooting at my brain, I smile, and think back to high school. Remembering how stupid I was, how excited and naive I was, and how much fun I had that I didn’t even realize I was having. I think about how if I met that kid today, toothpaste in hand, I’d have to slap him on the shoulder and laugh.

Maybe it’s just the painkillers, but it’s that silent, smiling, knowing, nodding reflective mood on the perfectly imperfect past that captures what I love best about The Long Winters.

At their finest, they produce damn catchy tunes whose narrators are human in only the best ways: flawed but redeemable, shifty but honest, sad but smiling. As I approach the quarter century mark, I find myself in this reflective mood often, and there I find the Long Winters in my ears, a hand on my shoulder, a knowingly amused face nodding in agreement.

Tuesday, November 14, 2006

Another late night eating beans



A Little Bit
Roy Ayers
Mystic Voyage
??? : 1975
[Listen] [Buy]


Radio Rock
Galt MacDermot
Shapes of Rhythm
??? : 1966
[Listen] [Buy]


Vehicle
The Ides of March
Vehicle
Warner Bros : 1970
[Listen] [Buy]


I am seriously tapped out today, but I'll slog through a few minutes more, for you, the people.


This Roy Ayers track sums up how I've been feeling lately. Not to mention that it's full of that warmth that infuses almost every song he put out. Definitely one of the funkiest, grooviest musicians there ever was, is, and might ever be.


From there, a little GM. He's been getting around a lot recently; after all of his must-find movie soundtracks in the '70s [Cotton Comes to Harlem, etc], not to mention Hair: The Musical, Stones Throw definitely peeped him big-time and found him a friend in Oh No. MF Doom's sampled him, Busta Rhymes had his way at some point too, as has Handsome Boy Modeling School, and this track is full of the sass and soul that drew me in, and probably drew those cats in too. Love that electric piano/harpsichord sound.


Last, a classic wedge of funk-rock from the same era. Who doesn't love this song? It's high on my list of tunes to perk up any occasion or gathering.


Must jet. Roy's up tomorrow, and boy howdy, I'm looking forward to it.

Monday, November 13, 2006

You're On Notice


Losalamitoslatinfunklovesong
Gene Harris
Astral Signal
Blue Note : 1974
[Listen]


Still Shinin' [prod. by Jay Dee]
Busta Rhymes
The Coming
Elektra : 1996
[Listen] [Buy]


And This is For...
Murs
Murs 3:16 : The 9th Edition
Definitive Jux : 2004
[Listen] [Buy]


My time is short today. I am slowly working on that long-awaited Zappa week [although don't people have to want to see it for it to be awaited?], amongst other things. But, for now, a short, sharp trio of tracks.


Gene Harris needs more lip service in the world. The man put out only a few LPs through Blue Note compared to other jazz performers, and his piano-playing style was rich in soul and passion. This song is extremely good, and high on my list of "Songs I'd play if my time on earth were suddenly, inextricably shortened".


Secondi: some Busta Rhymes. I've always dug his schtick; it's less tiresome than the bullets-and-steel caricatures, or the cognac-and-private jet malarkey. Busta is a straight-up freak, and he's not afraid to let it show. Those videos back in the day were hysterical, demented, bizarre, outlandish, and never ceased to make me laugh. What can I say? I guess I really like the fishbowl lens. Peep a couple right here:

Gimme Some More



Put Your Hands Where My Eyes Could See



Woo Hah!


Finally, my personal favourite: Dangerous. Any video that references The Last Dragon AND Lethal Weapon has to go straight to the top of the list.


Back to this track for a second: Jay Dee's production is silky smooth, a nice counterpunch to Busta's throaty, sandpapery, abrasive delivery. His style has always been a little unique, with that staccato quick-fire approach, and it stands out against the slick, steady beat and space-y, ethereal keyboard tones. Quality.


To round it out today, a slice from Murs and 9th Wonder. How I love 9th Wonder, let me count the ways... I'll never tire of his skill behind the boards. Murs is superb too, and this partnership deserves more column inches. The lyrics are thoughtful and incisive, Murs spits them with conviction and heart, while the samples are again on-point. Love that sped-up approach to old soul classics. Here, Murs speaks intelligently on the dichotomy of hip-hop, and the fact that race issues still exist, as strong as ever, and he bemoans young people [especially white people] who see hip-hop as solely a trend, something that can be co-opted and embraced without every fully being understood.


Lyrics like:


Now you could be down, but let's act growed up/
Cause we ain't the same color when police show up/
My culture's not a trend, being Black is not in/
But for you it's just a phase you're gonna have to transcend


speak to that in obvious terms, but a more telling excerpt like:


I asked myself for a while but now I finally get it/
Good music transcends all physical limit/
It's more than something that you hear, it's something that you feel/
When the author and experience and passion is real


finds a conclusion on a more positive note. There are many ways to interpret this song, but I see it like this: music that you love should affect you on a more primal level, and despite conflict and tension between black and white, music can raise you above that, if you feel it deeper than the t-shirt you wear, the language you use or the magazines you read.


Good art, and especially good music, originates from struggle or from a place where the artist has a message and something to say. It is not empty expression devoid of context or personal beliefs; it is not merely done for the sake of doing it, or for the illusory thrill of participating. From the perspective of the audience member or consumer, it is not something you can merely pick up and put down whenever the mood strikes you. It should not be a fad, or a phase, or a flirtation. Instead, it affects you, it changes the way you think or feel, it grabs you and refuses to let go. Murs certainly addresses this more than most in a similar position.


I'd be curious to hear any other interpretations of this song, so speak up [full lyrics here]; let's open up the floor.


Must dash. More treats tomorrow.

Sunday, November 12, 2006

Hello, Mike Patton


Midlife Crisis
Faith No More
Who Cares A Lot? The Greatest Hits
Reprise : 1998
[Listen] [Buy]


Goodbye Sober Day
Mr. Bungle
California
Warner Bros. : 1999
[Listen] [Buy]


The Godfather
Fantômas
The Director's Cut
Ipecac : 2001
[Listen] [Buy]


Book of the Month
Lovage
Music to Make Love to Your Old Lady By
NicheMusic.com Inc. : 2001
[Listen] [Buy]


God Hates A Coward
Tomahawk
Tomahawk
Ipecac : 2001
[Listen] [Buy]


When Good Dogs Do Bad Things [feat. Mike Patton]
The Dillinger Escape Plan
Irony Is A Dead Scene
Epitaph : 2002
[Listen] [Buy]


Mojo
Peeping Tom
Peeping Tom
Ipecac : 2006
[Listen] [Buy]


It's sometime around the turn of the millennium and I'm in my car. My favorite Clear Channel-moderated alternative-modern rock radio station is doing a really good job of having a personality. An early-nineties track from some band that's probably never done anything else begins to play through - you know the one, the tune that goes:


You want it all /
But you can't have it /
It's in your face /
But you can't grab it


The two guys that go back and forth, sort of rapping and singing? I don't know. It sounds kind of like that "Cult of Personality" track, but I'm really just waiting for something by Limp Bizkit to come back on because I love popular music that hates other popular music.


My thoughts are interrupted by my passenger - a loner type with too much time on his hands; the kind who can trace most networks of bizarre and unheard-of music out to their farthest node. "Mike Patton is awesome," he marvels aloud. I give him the sort of "Oh yeah?" you can really only manage while you're in the middle of working your turn signal, and follow up: "Who's he?" "The singer of Faith No More." Right, that's the name of this group. Not averse to picking up a little trivia, I ask him which one, and he sort of gets quiet for a second.


"That's one guy."


Once you know, there’s no going back. Deeper than Faith No More, the galvanizing catalogue of Mike Patton spans over twenty years and at least as many genres – jazz, trip-hop, mathcore, opera, Japanese noise. His voice runs like quicksilver and battery acid to fit the mold and sometimes burn it through. No matter the shape it takes, it remains somehow familiar – it is the linking thread that keeps even his farthest efforts comfortably within listening range.


A FmGT crash course on the man is long overdue. The tunes above have been selected for painless inoculation and exposure to the broadest possible vocal spectrum, and are provided here for your continued education.
--
For all of its searing synths and fuzzy guitar, "Midlife Crisis" has a distinctively acoustic feel to it - the drums punch clear through the spectrum filled up by the rest of the band without obscuring Mike, who is layered two or three times over during the track's refrain. The pre-Loudness War mastering done on this song leaves a glorious amount of headroom [see this for more], which means that you'll have to turn it up to get the full effect. And you'll want to. As an aside, not a day passes when I do not pray for this song to appear on the local karaoke machine.


"Goodbye Sober Day" is four-and-a-half minutes of genre-hopping nihilistic insanity by what is likely Patton's most [in]famous side project, Mr. Bungle. [Who somehow managed to hold a label spot on Warner Bros. through three albums' worth of what you're hearing now - and worse.] This track sounds like something you'd hear pouring out of the glowing annals of a disco built on cursed Aztec ritual grounds - one headlined by the Beach Boys and managed by Satan. If that doesn't make sense to you, you've never listened to Mr. Bungle. But don't take my word for it! The song does a better job of capturing the essence of Mike Patton than this entire post; it absolutely must be listened all the way through. Just make sure to leave the lights on.


Fantômas is an avant garde metal supergroup put together by Patton shortly after the dissolution of Faith No More, full of familiar faces: Trevor Dunn [Mr. Bungle], Buzz Osbourne [The Melvins] and Dave Lombardo [Slayer]. The Director's Cut is their second album, packed with the group's unique re-working of a bunch of mid-20th century motion picture themes - including a few that you or I could whistle with a couple seconds' worth of recollection - and so is largely pretty listenable. Marvel as Patton deftly leaps from mangled screaming to sugary falsetto; "The Godfather" is a lot of fun to listen to.


Under Dan the Automator's steady command of all sounds analog, Music to Make Love To Your Old Lady By pulses with a lurid sensuality that makes this album feel like a vintage narcotic. Patton's voice is unshaven and tough as he trades lines with a seductive Jennifer Charles [Elysian Fields]. Supposedly, there's a new Lovage album in the works - so keep your fingers crossed.


Tomahawk is what happened when Mike Patton caught Jesus Lizard on the rebound, and it's produced some seriously live ammunition. Vile, distorted verses ascend into an ear-splitting scream before they're saved by what one imagines are the soaring melodies of Patton's "natural" voice - whatever that is - for the chorus. Check out the performance below for a glimpse of one of his favorite toys.



The union between The Dillinger Escape Plan and Mike Patton should have left some glowing shell of a star in its wake, but instead produced the sort of EP on which a studio cover of Aphex Twin's "Come to Daddy" feels right at home. If you can get through the early salvos of noise - an acquired taste, like poison - you'll be rewarded; the track enters something resembling 4/4 after the breakdown.


Peeping Tom is like Mike Patton's take on the Handsome Boy Modeling School concept, a disparate collection of tunes with an all-star roster of guests, friends and people who owe him favors. "Mojo" was the album's first single when it was released this past May, and is the very closest thing to pop music Patton has done in years. As such, it's a real treat. Guest stars are Dan the Automator and Rahzel, who support the track through a middle eastern-flavored verse and a chorus that sounds like a pen pal contribution from Dr. Dre.


Never stop learning - and happy listening.


---
EtherbOx -- Watch this space for more from this tectonic gent.

Friday, November 10, 2006

Mailing it in for the weekend


I Will
John Holt
1000 Volts of Holt
Trojan Records : 1987
[Listen] [Buy]


Aquarius
Common
Electric Circus
MCA : 2002
[Listen] [Buy]


Footin' It
George Benson
Shape of Things to Come
A & M Records : 1968
[Listen] [Buy]


Train
Buddy Miles
Expressway to Your Skull
??? : ???
[Listen]


Master Rocker
Bernard Wright
'Nard
Arista : 1981
[Listen] [Buy]


Sun, Drums and Soil [Sa-Ra Creative Partners On the Move Mix]
Four Tet
[Listen]


I have less time than a white-collar criminal right now, so quick to business, and then some special announcements. Shall we dance?


For a while, I've been living under a rock. A rather large, spacious rock that commands some $900 in rent each month, and is quite comfortably furnished. As I spend my days assaulting you all with text and song lyrics, I get a lot of email. A lot of it is desirable, perhaps even bordering on titillating and wholly inappropriate, but every now and then bizarre writing lands in my inbox. Forgive me if this comes across in a very bad stand-up comedian-ish way, but really, I don't understand people who copywrite porn emails and sex spam. I don't get it, whatsoever.


"Increase the volume of your ejaculation in just days!
Ever wanted longer, more intense orgasms?
Has your cum ever dribbled and you wish it had shot out?
Have you ever wanted to impress your girl with a huge cumshot?
Order today and We fully guarantee.
"


Ulysses, it is more certainly not. But I guess I never knew that the amount of semen you propel in some hormone-soaked frenzy was a particularly impressive thing, nor something about ourselves that needed to be better. Do girls takes notes on this? Where's the MTV True Life expose? Does John Quinones know?


This is what you miss when you live under a comfortable rock.


So, now that I've infected you with this drivel, consider the musical antidote above. 100% FDA-approved, 9 out of 10 doctors agree, even Bob Dole's rocking our ad campaign. They're so damn random, the cure might just work.


In other news... look out for some guest contributions in the near future, in particular our good friend etherbOx, who has some most excellent [and eloquent] goods for us this weekend. I have a feeling we might be seeing more of him in the future, but for now, keep an eye out for that. It's damn fine. We are all nervous that you'll like him more than us.


Back sunday with that, and then come back to us for another week in music. Enjoy yr weekends, and dance.

Thursday, November 09, 2006

Music to Douche Your Nose By



Debra
Beck
Midnite Vultures
Interscope : 1999
[Listen] [Buy]

Wig
The B-52's
Bouncing off the Satellites
Reprise : 1986
[Listen] [Buy]

Stuart
The Dead Milkmen
Beelzebubba
Restless : 1988
[Listen] [Buy]

My Drum Set
The Young Fresh Fellows
Because We Hate You/Let the War Against Music Begin
Hollywood Records : 2001
[Listen] [Buy]

Strokers Ace
Lovage
Nathanial Merriweather Presents: Music to Make Love to Your Old Lady By
NicheMusic.com Inc. : 2001
[Listen] [Buy]

Loser (Live)
Beck
Solo at Union Chapel, 2003
The Internet : 2003
[Listen]

(In case it isn't obvious) I don’t have much time for my weekly visit. See, the thing is our router quit (and didn’t even give its two week notice). So now I’m on my laptop, in a race against battery time to get this post done. Not only that, but I’ve been busy all week getting ready for this conference I have to get up at 5 am to go to, so this week’s theme hasn’t been well thought out.

Debra: See, I’ve had this song in my head all week. Especially the line “Lady, step inside my Hyundai." For some reason, that doesn't really work with the ladies. And, for some reason, I’ve associate this song with

Wig: I don’t know of anyone else personally who’s heard this tune. They’re not missing out on much, except why occasionally I’ll spurt out It’s 2525 and we’ve got the hottest wigs alive! Well, if they read this blog, then now they’ll know. One more little mystery of Roy explained.

Stuart: At this point, I thought “what if I did a silly FmGT with Debra. What other tracks could I throw in with it?” This was candidate 1, because it makes me smile big time. Especially the burrow owl part. Then

My Drum Set: I started scanning my hard drive for fun and wacky tracks. I remembered this guy. I have to say, I’m pissed that after 4 years of philosophy, no one taught me the tightest method of argument I’ve ever encountered: the “My x is better than [sitar music]” How do you refute that? You can’t chief, you can’t.

Strokers Ace: Such a slick track, such a sensual voice. But a song about a cat? I just don’t get it. I've listened over and over, and I just can't figure out what they were singing about.

Loser (Live): Which is what my unprepared ass feels like. This doesn’t really keep with the theme, but you know what? It was a stupid theme anyway. To hell with it. Enjoy this cool version of beck playing Loser solo. Scientologist or not, kid's got chops.

I’ll see you on the neon, neon side of town. (But I’ll still pretend I don’t know who you are.)

Tuesday, November 07, 2006

Separate yourself from yourself, into two equal parts


This is where you belong.


Birimbau
Dom Um
[Listen]


Love is the Only Solution
Martha Star
[Listen]


Sweet and Lovely
The Del-Tours
[Listen]


Dedicated to Difficulty [feat. 2Mex]
Thavius Beck
Thru
Mush : 2006
[Listen] [Buy]


People People
Jumbonics
Super-Baxophone
Tru Thoughts : 2006
[Listen] [Buy]


Translation III [The Lovers]
The Future Sound of London
Papua New Guinea Translations
Jumpin' and Pumpin' : 2001
[Listen] [Buy]


I'm Free
Soul Position
Things go Better with RJ and AI
Rhymesayers : 2006
[Listen] [Buy]


Just a Groove in "G"
Wilbur Bascomb & The Zodiac
[Listen]


Golden Apples Pt. II
Galt MacDermot
The Nucleus
Kilmarnock : 1971
[Listen] [Buy a compilation with it]


Remember Who You Are
Breakestra
Sexy Popcorn Pot 7"
Stones Throw : 2001
[Listen]


In school and university, I was terrible at science. Biology, mathematics, astronomy, physics -- anything that involved the learning of complex concepts and their application to the world with the purpose of finding order amid the madness. Theorems, hypotheses, formulas, equations; in one ear, out the other. I would sit in those classes, fuzzy mind and pencil tapping against the beaten-up desk, struggling to pay attention. Most times, I would stick things in the bunsen burners and try to break them.


However, there was a part of biology that fascinated me. Taxonomies. Family trees, the dissection of creatures into vertebrates and invertebrates, the spined and the spineless, and the intricate splits between domain and kingdom, kingdom and phylum, phylum and class, class and order, order and family, family and genus, genus and species. An extra gill could separate one being from another, and the subdivision appeared endless.


Music is obviously no different, and there are those among us who spend their days perpetually dividing and re-defining bands into more appropriate labels and genres, desperate to find distinction and difference enough to reorganize down to the last detail.


Music divides us in other ways, too. There are people who love to dance, separate their minds and sensibilities from their bodies to the point where, in the full grip of sound, they move and swing themselves with disregard and wild abandon. Hips shake, feet tap, arms flail and gesture in sync with the beat. It divides us from self-consciousness, and drives a wedge between that sane, normal, 9-to-5 version of ourselves and that unpredictable, sweat-soaked individual who prowls the dark spaces of the club or underground bar.


When I separate myself in such a way, putting as much distance as is humanly possible between my daylight self and the being that exists at night, the soundtrack isn't too different from the songs I've chosen today.


However, all the music requires a different kind of dance, a different kind of movement and motion. The end result is not the same, nor is the motivation. Some are gentle, perfect for the syrupy-smooth steps with someone close, holding them at the waist. Others are ideal for the bar-hopping strut that immediately follows a shitty day, whereby the senses are energized enough to let loose and let go of the bad experiences some hours before. There are a couple of tracks that suit that euphoric evening, where the mood is high and unbreakable, and the company you keep is equal to the task of unrestrained joy.


Birimbau -> shuffle across the floor, down and dirty. Warm up.
Love is the Only Solution -> form a dance circle dressed to the nines, take turns to boogie on down in the thick of it. Slick, refined, pure cool.
Sweet & Lovely -> jump up, down and around, unable to contain the happiness. Maybe that girl called you back, you know, that one you met at the bar over the weekend. She wants to do dinner, and you know the perfect place. Solo dance in celebration.
Dedicated to Difficulty -> angry, heavier dance. Hip-hop. Lots of hand and arm raising, the occasional rhythmic wave. Head-banging optional, embrace the darkness around you, the close proximity of fellow revelers. Smell the sweat lingering in the air as the DJ works hard to please.
People People -> it's alright to be cool. The energy is high, so is the tempo, so put down the vodka tonic and join yr fellow people with perfect hair and designer clothes. Heavy on the eye contact.
Papua New Guinea Translation III -> have the narcotics kicked in yet? The lights are erratic as they skip across the hardwood floor, glancing through the crowd. You are well-hydrated, and the percussion provides an excellent crutch for you and your special friend. Dance close, dance in unison. Let yr bodies make contact, release, and touch again as they act in sync. Don't worry, inexperienced one: it's ok to use hands.
I'm Free -> the funky sample does all the work, so you don't have to. Now is the time to impress. Roll with the swagger of the track and reel in that person you've been making eye contact with. Dance with attitude, supreme confidence.
Just a Groove in "G" -> this song is full of joy, and so are you. Big smiles, and the perfect time to experiment. Can ya get down?
Golden Apples Pt. II -> aural seduction. It's moody, it's gentle, it's mysterious. You get the feeling it's holding something back, and maybe you are too. Give a little hint when you move. Saunter across the place towards the bar, get another single malt, and keep looking for the eye contact. Keep the body moving though. You can go fast or slow with this one, depending on how close you are, and how intense the passion is.
Remember Where You Are -> send yourself out into the night after this one. The last sip, the last check-yrself-out in the mirror. Maybe even flex those vocal chords, the words aren't that complex. You look good tonight, yr ready to step out into the cold and embrace whatever the night may bring. Feel good too, from head to toe and all points in-between. This is your night, this is your life, and you live it like you know it's true.


It's a bumper crop, I know, so find a little bit of time to separate yrself from self-consciousness and do what you do best. Sorry it took so damn long.

Monday, November 06, 2006

"Don't Judge me, Monkey"


Solid thread design by Mathew Flemming. Looks like JT, Silent K & The Roy.

Wife [Prefuse 73's Pieces of Detroit mix]
Phil Ranelin
Hefty 10 Digest
Hefty Records : 2006
[Listen] [Buy]

Marry
Plaid
Spokes
Warp : 2003
[Listen] [Buy]

Giraffe Walk
Quantic & Mr. Scruff
Tell It Like You Mean It [EP]
Tru Thoughts : 2006
[Listen] [Buy]

Pussy
Brazilian Girls
Brazilian Girls
Verve : 2005
[Listen] [Buy]

Hijimemashite, boko wa Nichiyoubi-kun. Dozo yoroshiku. Ima ni FmGT Labs de heddohon de oishii ongaku o kikimasu. Minnasan, kikimasyo. Sumimasen, aego hanashimasen ka?

Phil Ranelin rocks the funk trombone in ways Detroit hadn't expected - in fact, so much that limited original pressings of his tunes go for more than $200 a pop. Hefty Records has fulfilled their civic duty 10 fold by re-issuing Vibes from the Tribe, originally released in 1976. Today's first track is hot off of Hefty Records' recent retrospective double disc release, Hefty 10 Digest, where Prefuse 73 has taken Ranelin's "Wife" and had his way with her. Hotness.

Plaid's [Ed Handley & Andy Turner] fourth full album, Spokes, is a good sign that IDM is thriving. These tunes have an offbeat experimental angle that brings fourth rhythmic chaos in a tight little package complete with cover art by [those bad-asses of design, who make their cameo where it counts] The Designer's Republic. "Marry" is a speedy melodic composition that reminds my ears of the flow normally associated with Orbital and the weight often heard from Squarepusher. Sweet indeed.

If you're not keen on the Scruff & Quantic, then maybe you're new around these parts. We practically worship these two English beat masters. Normally performing on their own, Quantic & Mr. Scruff have a track featured on one of Quantic's recent singles. "Giraffe Walk" is an airy funk laden track with the following ingredients: crazy flute, sexy bass and triple your suggested amount of tasty drums. Now where is the full LP from this duo? [wishful thinking]

Whether I dig this track by the Brazilian Girls for legitimate reasons or only for comic relief, it's been on repeat for a good portion of the day today. I don't know what hits me more, the chill ska-jazz groove or the inspirational anthem that's chanted again and again. Inspirational, oh yeah...

Stay Tuned.
-- Silent K

Friday, November 03, 2006

Top Brass



Human Nature [Part II]
Youngblood Brass Band
Center:Level:Roar
Ozone Music NYC : 2003
[Listen] [Buy]


Jisten to Me
Hot 8 Brass Band
Rock with the Hot 8
The Red Hot Organization : 2005
[Listen] [If ya know where to buy, let me know so I can add the link]


Smoke that Fire
New Birth Brass Band
[Listen]


Feel like Funkin' it Up
Rebirth Brass Band
Feel like Funkin' it Up
Rounder Select : 1989
[Listen] [Buy]


Bloodshot
Youngblood Brass Band
Unlearn
self-released : 2000
[Listen] [Buy]


All Blues
Rebirth Brass Band
Do Whatcha Wanna
??? : 1991
[Listen] [Buy]


Time is precious today, people, but in the meantime, some brass for that ass. You cannot resist. It should keep you warm as the late autumn chill grabs hold. Stay tuned for some sunday delights, but in the meantime, go and be merry.


[Anyone in the NYC area, I can strongly recommend the Quantic show tomorrow night [Saturday] @ Nublu. I might well be there myself, and ya won't be disappointed.]

Thursday, November 02, 2006

Love songs about Whales



Northern Whale
The Good, The Bad and The Queen
Live @ BBC Electric Proms, October 26 2006
[Listen]


Kingdom of Doom
The Good, The Bad and The Queen
Live @ BBC Electric Proms, October 26 2006
[Listen]


The Bunting Song
The Good, The Bad and The Queen
Live @ BBC Electric Proms, October 26 2006
[Listen]


Three Changes
The Good, The Bad and The Queen
Live @ BBC Electric Proms, October 26 2006
[Listen]


The Good, The Bad and The Queen
The Good, The Bad and The Queen
Live @ BBC Electric Proms, October 26 2006
[Listen]


Perhaps out of desperation to remain relevant, I present a band I've been listening to a lot lately. This statement isn't unusual, except for the fact that only one of their songs [in its official, mastered guise] is out in the ether. They're hyped as all get-out, and with good reason.


TGTBATQ are made up of some real musical heavyweights, if yr not already aware -- Damon Albarn [Blur, Gorillaz], Paul Simonon [The Clash], Simon Tong [The Verve], and Tony Allen [Fela Kuti] -- and their project/LP/experiment/whatever you want to call it is extremely good. So far.


Not slated for a full release of their LP until January, they've been sating the crowds with some solid live performances, including this one last week at BBC's Electric Proms [thankfully nowhere near as proper and genteel as their actual BBC Proms].


Their music is delicate and weird, which I like, cobbling together a lot of their influences and a lot of history. Vaudevillian, dark, mysterious, the songs as a whole tell a tale of London that is extremely enjoyable, and I am honestly amped for their full release in the new year. A few tracks remind me of Albarn's darker side [see Blur's Out of Time LP where he gets into moodier rhythms and alternative percussion/instrumentations thanks to his many forays to Africa], which isn't a bad thing in my book.


If yer not down yet, get with it. I know I posted their first single a few days ago, but here's a few live dishes to get you further up to speed.


There is still a post for friday, but this one had a little bit of urgency to it, especially because I felt so guilty about leaving you all with a measly [although hilarious] video today. At the moment, it's looking like a little Tru Thoughts/Ubiquity/Daptone platter, but don't quote me on that. We'll see what happens.


In the meantime, get down with TGTBATQ. See you tomorrow.

Traveling Salesman.



My time is really short today, so this is all I can muster. Behold the brilliance of the Winnebago Man, Mr. Jack Rebney.


Tomorrow, I'll bring the fire. I promise. In the meantime, enjoy the swearing!

Wednesday, November 01, 2006

Shh. You can hear the trees breathing.



We're Over Here
Radar Bros.
Radar Bros.
Restless : 1997
[Listen] [Buy]

Open Ocean Sailing
Radar Bros.
The Singing Hatchet
Seethru Broadcasting : 1999
[Listen] [Buy]

Stay
Radar Bros.
Radar Bros.
Restless : 1997
[Listen] [Buy]

The River Shade
Radar Bros.
The Fallen Leaf Pages
Merge : 2005
[Listen] [Buy]

Still Evil
Radar Bros.
And the Surrounding Mountains
Merge : 2002
[Listen] [Buy]

Mountains
Radar Bros.
And the Surrounding Mountains
Merge : 2002
[Listen] [Buy]

Papillon
Radar Bros.
The Fallen Leaf Pages
Merge : 2005
[Listen] [Buy]


If Radar Bros. is new to you, the first thing you will notice is the tempo. If you’re wound up, hyper, driving, working out, or in the mood to nod your head faster than your pulse rate, then save these for a more mellow kind of day.

Otherwise, sit with me a minute and drift.

The music of Radar Bros. is the music of the observer. The passenger still and quiet, catching trees, fences, children kicking trashcans skipping school slip by the windscreen. It’s the soundtrack for the person in the corner of the party as they peel away, stop watching and start to see all the faces, hear all the words without focusing on anything singular. It’s the sound of the feeling when life itself becomes its own ambience to the moment. If tempo denotes scale, then the Radar Bros., with their molasses thick flow, transform the miniscule into the grand and the grand into the whole.

This is music I will blast as loud as I can stand. I want to bathe in it, let it flow past me, run through me and set me ringing like a bowed string. Maybe this isn’t your kind of thing, or maybe there’s a different sound that carries you away. Or someday when you’re on the couch, watching snow slide past your window, one of these tracks will pop up on random, and maybe you will find yourself five minutes onward, wondering where you just were.