
Bongo Fury
Shawn Lee's Ping Pong Orchestra
Music & Rhythms
Ubiquity : 2004
[Listen] [Buy]
Funky Nassau pt. II
The Beginning of the End
[Listen]
Ahuvati
Kaki King
...Until We Felt Red
Velour : 2006
[Listen] [Buy]
Misery Loves Company [Madlib Remix]
Fat Joe feat. Noriega
Madlib Remixes
No Label Records & 8 Track Tapes : 2000
[Listen]
Cursed Sleep
Bonnie Prince Billy
The Letting Go
?? : 2006
[Listen] [Buy]
On Your Marks
Bonobo
Days to Come
Ninja Tune : 2006
[Listen] [Buy]
Another jumbled up bag! Some days, I can barely function, and all hope of organization is a complete wash. If I can't give the world order, is that such a bad thing? The result of course is another mish-mash collection of random shit that finds my eardrums. I read a story on ESPN.com the other day about a kid who woke up with a beetle chewing on his eardrum, and there were several graphic descriptions of that sensation.
To me, that is life. Life is always chewing on yr eardrum, trying to wake yr lazy ass up, get you out of bed, get you focused on finding that job that means something to you, the boy or girl with whom you can share obscure movie references and pitchers of beer at the local pub, the person with whom you can find a life, and save your own.
I woke up the other day with a beetle in my ear. It dragged me out onto the kerb, slapped me around a few times, bashed my head against the wet asphalt, bought me breakfast and a new pair of shoes. It told me I was wasting time, it told me I was worth something, it told me that I had something to give the world.
Then it jumped out after paying the check, and I watched him scuttle down the sidewalk, presumably on the hunt for another numb fuck who was daydreaming through the calendar like they were high on PCP, or too wrapped up in themselves to notice the universe.
I wish I could find that little beetle, and maybe shake one of his legs in gratitude.
Instead, I'll give a little run-down of today's roster of misfits, all of whom have the misfortune of being in my line of fire:
SHAWN LEE : good guy. Currently working his magic over on Ubiquity, his LP recording sessions read like a 70s movie library [if that makes any fucking sense whatsoever]: tons of two-and-a-half minute breaks, each capturing a solid moment in time, an emotion, a movie scene that if you close yr eyes hard enough, you can fit with the tunes.
This track gets me thinking of the big bust. It's all set up, the cops are about to roll in to the drug baron's lair and rough his shit up. They're loading their guns, straightening their sunglasses [maintaining the cool], prepping their hair and driving the car to the destination of doom, the very place where the bad guys are gonna go down in a hail of bullets, smoke, and screaming bystanders wearing neon makeup and jheri curls. They pull up outside, take one last check, and slowly move into position. The drug baron knows their coming, and you can see him rallying the troops indoors, getting in position, waiting for the moment when the door flies open, kicked in by a pair of size 12 boots, splinters and wood chunks flying through the air in slo-mo, and then the shit goes down.
FUNKY NASSAU Pt. II : more funky shit. Less questions, more ass-shaking!
KAKI KING : as moody as it gets. Last time I checked [aka: a long time ago], she was over on Velour Records [I think she's moved now], plying her considerable guitar finger-picking talents on two mellow, moody acoustic albums of her, front and center. This album switches it up a bit, bringing her more into the realm of bands like Tortoise: more drums, more atmosphere, low-fi shoegazing intensity. This track gets my neck hairs standing up on end, especially when the cellos kick in. Damn. It belongs in an indie film [sorry, no clue why all the film references today].
MADLIB : blah blah blah. I bow at the altar of Otis Jackson Jr about a hundred times daily. What's more to say? ALTHOUGH, I will ask this: if ANYONE knows what track is being sampled right at the beginning, for 9 glorious seconds of 70s funk heaven, PLEASE PLEASE PLEASE tell me in the comments. It's been racking my brain for months since I picked this up, and I play it on a loop because I am mesmerized. It's 9 seconds of glory. The remix that segues out of it ain't half bad too [but I'm mainly posting this for help with that break!!!]
BONNIE PRINCE BILLY : This guy is fantastic right now, in my book. Cannot stop listening to this song, and there's an awesome video for it too somewhere... [YouTube the song title, that should work... ahh what the heck I'll put it right here, right now]
He's definitely not what I would normally listen to, but it is really fitting the mood for me right now, especially as I write my manuscript. I work very intensely with music when I write, and I need that aural atmosphere to season my mind while I go through my writing process. The extra mood helps the words come out, and also helps me anchor the themes I'm looking for, and so normally, tunes like this [heavy on the acoustics, no hip-hop, sorry, it just doesn't fit, lots of alt-country and/or moodier instrumental electronic music that is heavy on a kinda down-beat mood or emotion] are just the tonic for my typewriter/keyboard sessions. Hence, its inclusion here. It's a killer song, I love this video, and I don't think I need to keep justifying it. It's my roof we're living under.
BONOBO : Yes, a lot of blogs "beat me" to the new LP from lo-fi masters Bonobo. But hey, who cares? The more voices, the merrier. Love this song, because I'm a drummer and it's so, so heavy on the ol' banging instrument I love. A real sick beat that would sound right at home on a DJ Shadow album [not the new one of course, ho ho bad joke], and just enough of the horns and other ingredients to give you a heavy dose of their obvious skills.
And with that, we reach the fork in the road. I know which direction I'm going. See you when the paths cross again.



